| |
MHAIRI KILLIN – LONG NIGHT MOON (An Tobar, Tobermory, Mull, 2006)
JULIET KNIGHT found enriching reflection in the work of Iona-based artist Mhairi Killin. |
| |
PRINCE UNLEASHED (Visible Fictions, Traverse Theatre, Edinburgh, and touring 2006)
MARK FISHER finds Visible Fiction’s new show treading on innovative ground but falling short on dramatic resolution. |
| |
ROAD WORKS (The Loft Gallery, St Margaret’s Hope, Orkney, until 2 May 2006)
COLIN JOHNSTONE celebrates a staging post on the road in the collaborative work of poet JOHN GLENDAY and photographer ALISTAIR PEEBLES. |
| |
GOOD REASON (Reeling and Writhing, Eastgate Arts Centre, Peebles, and touring 2006)
MARK FISHER finds Reeling and Writhing’s new production short on dramatic momentum. |
| |
JEAN NOBLE: TURNING SEASONS (Tore Art Gallery, until late May 2006)
GEORGINA COBURN investigates the mystical images and landscape paintings of Jean Noble. |
| |
THE CRUCIBLE (TAG/National Theatre of Scotland, Howden Park Centre, Livingston, and touring 2006)
MARK FISHER considers the enduring power of Arthur’s Miller’s classic fable. |
| |
SEALSKIN TROUSERS (Aye Productions and Arts in Motion, Spectrum Centre, Inverness, 11 April 2006)
GEORGINA COBURN is seduced by the show’s visual splendours, but wishes for more development. |
16 Mar 2010 | |
09 Mar 2010 | |
19 Jan 2010 |
|
March 2010 Editorial |
Bookmark with:
What are these?