St Matthew Passion
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| June 2004 Preview: St Matthew Passion |
The Pain and the Passion
Early Music expert D JAMES ROSS offers an insider’s view of a
rare Highland performance of J S Bach’s magnificent St Matthew
Passion
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ALTHOUGH ONE can never be entirely sure, it
seems likely that the forthcoming performance of J S Bach’s St Matthew Passion
by the Inverness Cathedral Chorus and the Highland Chamber Orchestra is the
first time this epic work has been presented to Highland
audiences.
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Alastair Hardie’s excellent Culbin Singers performed
the same composer’s St John Passion very successfully last year in Forres, but
even Alastair regards the larger-scale Matthew Passion as a “passion” too far!
So what are the challenges that the Cathedral forces are taking
on?
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Firstly the work is enormous, lasting about three
hours in an average performance. Dealing with the Easter story of the suffering
and crucifixion of Christ, the elegant Baroque German text unfolds events with a
stoical inevitability which must have appealed enormously to Bach’s fellow
Lutherans.
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However against this dignified backdrop, we ride a
veritable roller-coaster of emotions as we witness seething crowd scenes, acts
of sadistic cruelty inflicted on Jesus, and moments of human tenderness. Within
the standard passion structure of a narrative Evangelist’s part, brief personal
appearances by the main protagonists, and an ongoing system of commentary from
further soloists and the choir in the form of arias, choruses and chorales,
Bach’s masterpiece also features an extremely varied Baroque
orchestra.
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The Highland Chamber Orchestra, currently Inverness
Cathedral’s orchestra in residence and an ensemble who have made a considerable
name for themselves throughout the Highlands in the four years since their
foundation, are required to fill the role of a double orchestra, and are
fielding a number of specialist wind players, including extra oboists to handle
the various oboe d’amore and oboe da caccia parts.
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Early clarinets were around at the time Bach wrote his St Matthew Passion -
Vivaldi, Telemann and Handel all wrote music for clarinets - but clearly Bach
had no players available as he never used them, and clarinettists like myself
usually have to sit out performances of Bach’s music. However, as a part-time
member of the Inverness Cathedral Consort, I have been drawn in to sing bass
instead, and although I have been unable to attend all the rehearsals, I have
enjoyed watching the preparations progress.
“This performance … will provide a unique opportunity for Highland audiences
to hear a live performance of a work which is arguably Bach’s most important
contribution to the choral repertoire.”
Rehearsals for the chorus started several weeks ago. Members of the various
Cathedral choirs form the core of the group, but the prospect of singing this
great music has also attracted singers of varying levels of expertise from
throughout the Highlands. The Cathedral’s Master of Music, Edward Barbieri, who
will direct the performance, has been devoting time to drawing the diverse
voices of the chorus into a unified ensemble.
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This is no easy process - no passion without pain! -
but intensive painstaking work on basic elements such as phrasing, expression of
text and vocal blend has begun to pay dividends. The chorus work in the St
Matthew Passion is unusual in that, like the orchestral writing, much of it is
in fact for double choir: two four-part choirs employed antiphonally to maximise
the dramatic effect.
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As many of the chorus members are relatively
inexperienced singers, the priority has been to establish this eight-part
texture, and recently some of the more dramatic choruses have begun to sound
extremely effective. Bach’s vocal lines are not immediately accessible, and
often feel rather instrumental in conception, although the precision and
perfection of the writing is never less than impressive.
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In any case as Beethoven was later to comment, the mortal medium cannot be
allowed to stand in the way of the divine message! In his own lifetime Bach
frequently expressed dissatisfaction about the inadequacy of his performing
forces - clearly they found his music challenging too! Incidentally, all the
paperwork associated with performances of this music directed by the composer
suggest that he used tiny forces, one or two voices to each choral part and a
very small orchestra.
With over fifty choral singers and around thirty in the orchestra as well as
an extensive line-up of soloists, this performance by the Cathedral Chorus and
Highland Chamber Orchestra will be on an altogether more lavish scale than that,
and more significantly it will provide a unique opportunity for Highland
audiences to hear a live performance of a work which is arguably Bach’s most
important contribution to the choral repertoire.
© D James Ross, 2004
J S Bach’s St Matthew Passion will be performed in Inverness Cathedral on
Sunday 20 June.
Related Link
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| July 2008 Editorial |
Not this time
Posted by Commissioning Editor, Kenny Mathieson, on
Tue, 01 Jul 2008 09:45:00 GMT |
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