| EDEN COURT THEATRE in Inverness is the largest arts facility in the Highlands & Islands, and is one of the best-equipped multi-purpose arts venues in the country following an extensive refurbishment. |
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| Director’s Statement: Colin Marr Eden Court has just undergone a huge transformation and added a magnificent second theatre, two new cinemas and two new studios along with 15 new dressing rooms. But our aim hasn’t changed. As the only large scale performing venue in the Highlands I want Eden Court to present as wide a range of high quality entertainment as we can. I want everyone who lives in the Highlands to find a few things in every season that they want to see and I want to use the venue to encourage local professional work and for the best of the local amateur work to be seen here. |
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I want people to be able to see events that they are comfortable and familiar with but I also want some of the performances to challenge and stimulate the audience. |
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When was the venue established? |
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| Yes, there is a well documented ghost known as the Green Lady who haunts the older part of the building (the Bishop’s Palace, which dates from 1878). She is rumoured to be the wife of the one of the Bishops who hung herself in the building. Having researched the story of the Bishop’s Palace and its Bishops in great detail we can find no evidence of any occupants of the house that could fit this story. |
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| What was your worst disaster as director? During the 2001 pantomime, Aladdin, the walls at the front of the theatre were being repaired when they were found to be in an unstable state. We had to close the theatre for three days and cancel five performances of the pantomime – which was sold out. That was an early sign of the difficulties our recent expansion would face because of the poor building work on the 1976 theatre. And what was your biggest triumph? It is very difficult to choose one event that stands out because Eden Court is only successful if we present a very mixed programme, from local to international work. Attracting NDT 2 was a turning point and directly lead to the successful presentation of other international dance work like Australian Dance Theatre and Compagnie Kafig. I am proudest of the huge growth in our audiences and of our arts education programme and of the hard work of all our staff in achieving this. In years to come the recent building project may be seen as my biggest triumph but its still very close and for me it is a means to more programming and bigger audiences rather than an end in itself. |
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If you could have any artist in the world for a one-off special, who would it be, and why? Links |
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16 Mar 2010 | |
09 Mar 2010 | |
19 Jan 2010 |
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March 2010 Editorial |
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